Bullet to the Head (15/R, 91 mins)
Director: Walter Hill
★ ★ ★ ★ ☆
When hitman Jimmy Bobo (Sylvester Stallone) sees his partner killed by a rival assassin (Jason Momoa), he teams up with a cop (Sung Kang) who is investigating another case where his own partner was killed and who thinks there may be a connection. What the actual ins and outs of the rest of the plot are is anyone’s guess, but this works perfectly well as an old school, very 80s, thriller. Scuzzy rather than slick, Bullet to the Head takes a bone-crunching, no-nonsense approach to the action and veteran director Walter Hill still knows how to shoot up a room. The buddy movie banter isn’t exactly what you could call electrifying, largely because Kang is so poor, but it provides a few chuckles in a nice change of pace, character-wise, for Sly, playing a wisecracking grump, and Momoa is much better value as a bad guy than he was as a good guy in Conan.
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Sunday, 27 January 2013
Monday, 21 January 2013
Blu-ray prizes to be won
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Entrants must be UK residents and aged 18 or over.
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Terms and Conditions
Only one entry will be accepted per person.
Entrants must be UK residents and aged 18 or over.
The judge's decision is final and no correspondence will be entered into.
Thursday, 3 January 2013
Gangster Squad review
Gangster Squad (15/R, 113 mins)
Director: Ruben Fleischer
★ ★ ★ ☆ ☆
Inspired by real events, this silly, intermittently enjoyable thriller takes place in Los Angeles in 1949, where mobster Mickey Cohen (Sean Penn) is hellbent on taking over the town with his drugs and vice empire. With most of the city’s cops on his payroll, it falls to honest sergeant John O'Mara (Josh Brolin) to lead Ryan Gosling and a small team in an effort to shut down Cohen’s operation through any means necessary. Strong in its period detailing and festooned in wall-to-wall violence, Gangster Squad is slick enough, and yet the action sequences consistently remind you that you're not watching The Untouchables, as much as director Ruben Fleischer might want you to think you are. And all the muscular gunplay and smoky production design in the land can’t always overcome a sloppy script that ticks every box you might imagine it would. Gosling’s relationship with Cohen’s moll Grace (Emma Stone) aims for Bogart-Bacall cool, but the pair are unexpectedly and disappointingly lacking in heat, and their byplay comes up some way short, while the focus on that and Brolin’s family life means the rest of the squad (Anthony Mackie, Robert Patrick, Michael Peña, Giovanni Ribisi) barely register as characters. But a dead-eyed Penn is terrific, and when the action occasionally finds the bullseye, there’s just enough vibrant style to see it through.
Director: Ruben Fleischer
★ ★ ★ ☆ ☆
Inspired by real events, this silly, intermittently enjoyable thriller takes place in Los Angeles in 1949, where mobster Mickey Cohen (Sean Penn) is hellbent on taking over the town with his drugs and vice empire. With most of the city’s cops on his payroll, it falls to honest sergeant John O'Mara (Josh Brolin) to lead Ryan Gosling and a small team in an effort to shut down Cohen’s operation through any means necessary. Strong in its period detailing and festooned in wall-to-wall violence, Gangster Squad is slick enough, and yet the action sequences consistently remind you that you're not watching The Untouchables, as much as director Ruben Fleischer might want you to think you are. And all the muscular gunplay and smoky production design in the land can’t always overcome a sloppy script that ticks every box you might imagine it would. Gosling’s relationship with Cohen’s moll Grace (Emma Stone) aims for Bogart-Bacall cool, but the pair are unexpectedly and disappointingly lacking in heat, and their byplay comes up some way short, while the focus on that and Brolin’s family life means the rest of the squad (Anthony Mackie, Robert Patrick, Michael Peña, Giovanni Ribisi) barely register as characters. But a dead-eyed Penn is terrific, and when the action occasionally finds the bullseye, there’s just enough vibrant style to see it through.