Showing posts with label Sean Bean. Show all posts
Showing posts with label Sean Bean. Show all posts

Tuesday, 3 February 2015

Jupiter Ascending review

Jupiter Ascending (12A/PG-13, 127 mins)
Directors: The Wachowskis
★ ★ ★ ☆ ☆

If you're after a full-on bonkers fantasy epic that's as beautifully designed as it is camp, then Jupiter Ascending should fulfil most of your requirements. Jupiter (Mila Kunis) is the ordinary earth girl who learns she's a reincarnated space princess, with Channing Tatum as her half-wolf, half-albino, pointy-eared, hover-booted protector in an immensely silly intergalactic power struggle. A first half on earth is mostly a series of stylish fights and rescues, and while the second half gets a bit more talky and plotty, the move to space allows The Wachowskis to go daft with their gadgets and set design. They already reinvented the action wheel with The Matrix so there's not really anything here to make jaws drop, but they can still put together an elaborate, FX-heavy sequence without having to resort to crazed editing. It’s might be missing that massive action centrepiece, but there’s always something worth looking at, Eddie Redmayne hams it up magnificently as the baddie, and in terms of fun it’s far more Flash Gordon than John Carter.

Friday, 11 June 2010

Black Death review

Black Death (15, 101 mins)
Director: Christopher Smith
★ ★ ★ ☆ ☆
 It’s 1348 and the Black Death is in full swing throughout England. Enter Sean Bean, seemingly straight off the set of Lord of the Rings, as an envoy of the bishop charged with finding a village where it is claimed the plague has no effect and the suspicion is that devilry is afoot. Though a bit of a slog at times, Black Death benefits from an interesting character in Bean, who’s not so much a hero as a murderer for god, and it becomes a far more fascinating movie when he and his men reach the village. It’s grim and grimy, like something Hammer rivals Tigon would have churned out in the early 70s, with some brutal and chaotic swordplay and a nice line in anti-ecumenical rancour, even if it ultimately doesn’t have the courage of its convictions.