The Man From U.N.C.L.E. review

The Man From U.N.C.L.E. (12A/PG-13, 116 mins)
Director: Guy Ritchie
★ ★ ☆ ☆ ☆

There can be little doubt that turning old TV programmes into movies can be a lucrative business, with Mission: Impossible – Rogue Nation currently lighting up box offices and flying the flag for a two-decade old franchise.

Unfortunately that magic has evaporated with the big screen adaptation of another 60s spy show in the shape of The Man From U.N.C.L.E. which deals in Cold War spy shenanigans, albeit coming up woefully short in the actual shenanigans department.

A dull opening sequence introduces us to CIA agent Napoleon Solo (Henry Cavill), who is in East Berlin trying to bust out Gaby (Alicia Vikander) over the wall. Trying to stop him is KGB agent Illya Kuryakin (Armie Hammer), by means of a pedestrian car chase and laboured banter.

It fails to pick up after this, as the pair are told by their superiors that they must work together to prevent a nuclear bomb being built, which has something or other to do with Gaby’s uncle. She poses as Kuryakin’s wife as the - for want of a better word - action moves to Rome and a lot of talking ensues.

It’s all punishingly dull, paced like treacle and the exact opposite of what you might reasonably have expected from a Guy Ritchie spy movie, given what he did with Sherlock Holmes. It’s also the exact opposite of a summer movie, entirely lacking life or energy, and absolutely nothing happens for the first hour or more. It’s supposed to be a sprightly caper and the music seems to think the film is jaunty, but that’s not backed up by what’s on screen.

It’s not even as though while nothing is happening we’re getting to know those involved or being entertained by them. Solo and Kuryakin are dull as individuals and chemistry-deficient when they get together.

Taking place mostly in Italy, it’s remarkably glamour-free, while the need to make it look like the 60s adds a horrible CG sheen to some of the locations. Elsewhere honking innuendo passes for humour and it treats the audience like idiots through painful exposition.

So the humour is lame, the action is non-existent and the espionage is thrill-less. It should be Bond, but it’s barely Johnny English, aiming for laid back but overdoing it to the extent that it becomes an immensely boring failure.

Man of Steel Blu-ray review

Man of Steel (12, 143 mins)
Director: Zack Snyder
★ ★ ★ ☆ ☆

Man of Steel, the summer season’s most anticipated movie arrives on home video after a mixed reception in cinemas; loved as an action blast by some, despised as a betrayal of the Superman character by fans.

Henry Cavill dons the cape as Kal-El, the only survivor of the doomed planet Krypton, sent to earth as a baby by his father Jor-El (Russell Crowe). Part origin story and part continuation of the mythology, it’s a smartly structured blend of Superman and Superman II that flashes to Kal’s childhood, filling us in on adoptive parents, the Kents (Kevin Costner and Diane Lane) who bring him up as Clark.

It’s this that gives the film a real emotional depth, as Clark struggles with who he is, coming to terms with his powers in a film about choices and decisions on a massive scale.

Steeped in the classic Superman iconography, though slightly overplaying Kal-El’s status as a god among men, Man of Steel is respectful to its cinematic predecessors without the need for the suffocating reverence that blighted Superman Returns.

The serious threat that forms the comic-book conflict of the second half comes from General Zod (Michael Shannon), who was banished from Krypton and has made it to earth with plans of resurrecting his planet at the expense of ours. A properly menacing Shannon facing off against the perfectly cast Cavill is the backbone of a rousing adventure, while Amy Adams adds layers of strength and intelligence as Lois Lane.

The action is truly cataclysmic, fully recognising the fact that these are near indestructible super-beings fighting, so when they hit each other, they stay hit, and entire cities crumble in their wake. It’s stunning stuff, with director Zack Snyder gleefully taking advantage of the $200m worth of resources available to him, even if the third act does go on forever and threatens to become repetitive before too long.

On second viewing the narrative flimflam at play is more obvious, and Snyder’s aesthetic can grate, but memories of the disappointing Superman Returns are wiped clean, and there are more than enough great moments to make the upcoming Supes/Batman crossover one to look forward to.

Blu-ray: On every level this is a stunning presentation, with pin-sharp visuals allied to rattling audio. It’s a shame the extras are a little on the thin side, with a couple of behind the scenes featurettes not really digging deep enough to add lasting value to the package.

Man of Steel review

Man of Steel (12A/PG-13, 143 mins)
Director: Zack Snyder
★ ★ ★ ★ ☆

Continuing what’s been a fairly decent summer season so far, the year’s most anticipated movie arrives with high hopes of successfully furthering the adventures of the most iconic of all superheroes, Superman. Henry Cavill dons the cape as Kal-El, the only survivor of the doomed planet Krypton, sent to earth as a baby by his father Jor-El (Russell Crowe).

Part origin story and part continuation of the mythology, it’s a smartly structured blend of Superman and Superman II that flashes to Kal’s childhood, filling us in on adoptive parents, the Kents (Kevin Costner and Diane Lane) who bring him up as Clark. It’s this that gives the film a real emotional depth, as Clark struggles with who he is, coming to terms with his powers in a film about choices and decisions on a massive scale.

Steeped in the classic Superman iconography and acknowledging but not overplaying Kal-El’s status as a god among men, Man of Steel is respectful to its cinematic predecessors without the need for the suffocating reverence that blighted Superman Returns.

The serious threat that forms the comic-book conflict of the second half comes from General Zod (Michael Shannon), who was banished from Krypton and has made it to earth with plans of resurrecting his planet at the expense of ours. A properly menacing Shannon facing off against the perfectly cast Cavill is the backbone of a rousing adventure, while Amy Adams adds layers of strength and intelligence as Lois Lane.

The action is truly cataclysmic, fully recognising the fact that these are near indestructible super-beings fighting, so when they hit each other, they stay hit, and entire cities crumble in their wake. It’s stunning stuff, with director Zack Snyder gleefully taking advantage of the $200m worth of resources available to him as all memories of the disappointing Returns are wiped clean, and the best Superman movie since the first one in 1978 reaches the stratosphere.