Zurich Film Festival - Sicario

Sicario (121 mins)
Director: Denis Villeneuve
★ ★ ★ ☆ ☆

Kate Macer (Emily Blunt) is an FBI agent whom we first meet discovering a house full of dead bodies as she leads a kidnap response team working in Arizona.

Catching the eye of her superiors, she volunteers for a cross-agency task force taking on Mexican drug cartels. This brings her into contact with another pair of agents (Josh Brolin and Benicio Del Toro), who may be DEA or CIA or something else entirely, such is their reluctance to share information with Kate.

They take her into Mexico where she’s thrown into the midst of a big operation with no clue what she’s getting into or with whom. It’s as an expose of the grim reality of the effect the drug trade has had on Mexico where Sicario really scores, sparing no punches in showing the violence and vengeance tearing apart a country overrun with criminality.

Of slightly less interest is Macer’s concern that they have no jurisdiction over the border and that her two associates seem to have agendas of their own, and the question of motives and trust hangs over Sicario. The title comes from the Mexican word for hitman and it’s a solid and grown up drama, muscular and hard hitting.

Other than one very well staged shootout, much of the first hour is Kate shadowing and learning and events are seen through her eyes as she observes and questions. The tension comes from her and us not knowing anything though it starts to labour that point a bit in the middle, but there’s always a feeling that everything is under control and it’s heading in the right direction.

The problem is we’re led in to it in the belief that it’s Macer’s movie when in fact many of the best scenes feature Brolin and Del Toro, with the latter in particular growing to dominate the story. And a question begins to surface of whether Macer is actually much of a character and not simply something of a sideshow in a bigger picture, a passenger in her own movie. In many ways that’s fine, because fortunately the men played by Brolin and Del Toro are highly compelling, and this trio of excellent performances carries it through.

As an exercise in finely tuned craftsmanship, Sicario is certainly very impressive, and Denis Villeneuve continues to be a director to keep an eye on. There’s no real template for what it is as a movie, being very much its own beast which is definitely a good thing.

If it’s a standard cops and drugs thriller you’re after then Sicario is not that kind of movie. But if you go in prepared for something other than what you might be expecting then there’s a lot to take away.

Gangster Squad review

Gangster Squad (15/R, 113 mins)
Director: Ruben Fleischer
★ ★ ★ ☆ ☆

Inspired by real events, this silly, intermittently enjoyable thriller takes place in Los Angeles in 1949, where mobster Mickey Cohen (Sean Penn) is hellbent on taking over the town with his drugs and vice empire. With most of the city’s cops on his payroll, it falls to honest sergeant John O'Mara (Josh Brolin) to lead Ryan Gosling and a small team in an effort to shut down Cohen’s operation through any means necessary. Strong in its period detailing and festooned in wall-to-wall violence, Gangster Squad is slick enough, and yet the action sequences consistently remind you that you're not watching The Untouchables, as much as director Ruben Fleischer might want you to think you are. And all the muscular gunplay and smoky production design in the land can’t always overcome a sloppy script that ticks every box you might imagine it would. Gosling’s relationship with Cohen’s moll Grace (Emma Stone) aims for Bogart-Bacall cool, but the pair are unexpectedly and disappointingly lacking in heat, and their byplay comes up some way short, while the focus on that and Brolin’s family life means the rest of the squad (Anthony Mackie, Robert Patrick, Michael Peña, Giovanni Ribisi) barely register as characters. But a dead-eyed Penn is terrific, and when the action occasionally finds the bullseye, there’s just enough vibrant style to see it through.

Wall Street: Money Never Sleeps review

Wall Street: Money Never Sleeps (PG-13/12A, 133 mins)
Director: Oliver Stone

★ ★ ★ ★ ☆

When we left Gordon Gekko at the end of 1987’s Wall Street, it looked very much like he was on his way to prison for insider trading. Michael Douglas reprises his Oscar winning role as the former superstar corporate raider, and we meet him at the start of this belated sequel just as Gekko is getting out of jail in 2001, penniless and a man out of his time.

Fast forward to 2008 and he’s written a book called ‘Is Greed Good?’, a riff on his most famous line from the original movie, and doing the lecture circuit. Meanwhile on Wall Street, Jake (Shia LaBeouf) is a young analyst living the high life on his huge bonuses with his girlfriend Winnie (Carey Mulligan), who just happens to be Gekko’s daughter.

But as the depth of the bad times hit and shares plummet, Jake’s mentor (Frank Langella) loses a fortune and kills himself when his business is consumed by rivals. Jake goes toe to toe with Josh Brolin’s rival investor whom he blames for Langella’s death, hoping to take him down from the inside, with the aid of some advice from Gekko who hopes to reconcile with Winnie.

Given the monumental financial upheaval of the last couple of years, this seems like the ideal time to revisit these themes. The flash and vulgarity of the 80s is gone, replaced with the subprime excess of the 00s, and the overriding theme is that greed is not good.

Oliver Stone directs at a clip, delivering stunning photography of the New York cityscapes and boardroom scenes that are lit like something out of The Godfather, while clearly having something to say on the issue.

Gekko believes we are all to blame for this but the movie is not really about his comeback as such, nor is it simply a retread of the original with a new protégé in place of Charlie Sheen. It’s more a character study than a thriller but it’s still tremendous fun.

LaBeouf is charismatic though he has a tendency towards mumbling and Douglas is just as good as he was first time round, with an added dose of mischievous humour, plus fine support from a slimy Brolin and a sly cameo from an old friend for fans of the original.

Jonah Hex review

Jonah Hex (15, 81 mins)
Director: Jimmy Hayward

★ ★ ☆ ☆ ☆

The first warning sign that all is not well with this fantasy western is the running time which, taking the closing credits out of the equation is barely 70 minutes, with reports suggesting at least half an hour of it has been left on the cutting room floor. It’s yet another comic book adaptation, with Josh Brolin taking the title role as a back-from-the-dead bounty hunter tracking down the man who killed his family (John Malkovich) and who now plans to unleash a WMD on Washington. It’s visually impressive if ear-splitting, with a pounding rock score and frequent bruising action, and Brolin growls and scowls like a good ‘un throughout. But though it’s generally coherent, its brevity means it goes straight from the setup to the climax with almost nothing in between.